Nicole Miller (b. 1982, Tucson) received her M.F.A. from the Roski School of the Arts, University of Southern California, Los Angeles. Solo exhibitions of her work include: The Borrowers, Koenig & Clinton, New York; Every Word Said: History Lessons from Athens and Tucson, MoCA Tucson; Artists’ Film International: Nicole Miller, Ballroom Marfa; The Conductor, High Line Channel 22, New York; Believing is Seeing, Los Angeles County Museum of Art; Death of a School, Centre d’Art Contemporain, Geneve; and The Conductor, LAXART, Los Angeles. Miller has also participated in prominent group exhibitions such as: Los Angeles–A Fiction, MAC Lyon (2017) and Astrup Fearnley Museet (2016), Oslo; The Campaign for Art, San Francisco Museum of Modern Art (2016); Portraits and Other Likenesses, San Francisco Museum of Modern Art (2015); Made in L.A. biennial, Hammer Museum, Los Angeles (2012); Dallas Biennale, Dallas Contemporary (2012); and The Bearden Project, Studio Museum in Harlem, New York (2011). Her work is represented in public collections including the Hammer Museum, Los Angeles; Los Angeles County Museum of Art, and San Francisco Museum of Modern Art, among others. Miller has been the recipient of the Rome Prize (2016), William H. Johnson Prize (2015), Rema Hort Mann Foundation Grant (2013), Artadia Award (2013), Louis Comfort Tiffany Biennial Award (2012), among others. Miller currently holds the position of assistant professor in the department of visual arts at the University of California, San Diego. The artist is represented by Koenig & Clinton, Brooklyn, and lives and works in Los Angeles.