Nicole Miller (b. 1982, Tucson) received her M.F.A. from the Roski School of the Arts, University of Southern California, Los Angeles. Solo exhibitions of her work include: The Borrowers, Koenig & Clinton; Every Word Said: History Lessons from Athens and Tucson, MoCA Tucson; Artists’ Film International: Nicole Miller, Ballroom Marfa; The Conductor, High Line Channel 22, New York; Believing is Seeing, Los Angeles County Museum of Art; Death of a School, Centre d’Art Contemporain, Geneve; and The Conductor, LAXART, Los Angeles. Miller has also participated in prominent group exhibitions such as: The Campaign for Art, San Francisco Museum of Modern Art (2016); Portraits and Other Likenesses, San Francisco Museum of Modern Art (2015); Los Angeles–A Fiction, MAC Lyon (2017) and Astrup Fearnley Museet (2016), Oslo; Made in L.A. biennial, Hammer Museum, Los Angeles (2012); Dallas Biennale, Dallas Contemporary (2012); and The Bearden Project, Studio Museum in Harlem, New York (2011). Her work is represented in public collections including the Hammer Museum, Los Angeles; Los Angeles County Museum of Art; and San Francisco Museum of Modern Art, among others. Miller has been the recipient of the Rome Prize (2016); the William H. Johnson Prize (2015); the Rema Hort Mann Foundation Grant (2013); the Artadia Award (2013); The Louis Comfort Tiffany Biennial Award (2012); among others. The artist is represented by Koenig & Clinton, Brooklyn, and lives and works in Los Angeles.